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	<title>Backspace Writers Conference</title>
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	<link>http://www.backspacewritersconference.com</link>
	<description>The official home of the 7th Annual Backspace Writers Conference</description>
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		<title>Priscille Marcille Sibley</title>
		<link>http://www.backspacewritersconference.com/2012/02/priscille-marcille-sibley/</link>
		<comments>http://www.backspacewritersconference.com/2012/02/priscille-marcille-sibley/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 14:29:37 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=455</guid>
		<description><![CDATA[Priscille Marcille Sibley is the author of the debut novel THE PROMISE OF STARDUST (William Morrow, 2013). The book is a love story about a family torn apart by a medical crisis and the ethical dilemma of keeping a pregnant woman with no chance of recovery on life support for months in an attempt to give her unborn baby a chance. Priscille grew up loving the rocky coast of Maine, her family, and babies. Now a neonatal intensive care nurse, she has the privilege of caring for infants so small that they fit in her hand. She lives with her husband, three tall teenaged sons, and their Wheaton terrier. Her website is www.priscillesibley.com]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/priscille-marcille-sibley.jpg"><img class="alignright  wp-image-456" title="priscille marcille sibley" src="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/priscille-marcille-sibley.jpg" alt="" width="160" height="240" /></a>Priscille Marcille Sibley is the author of the debut novel THE PROMISE OF STARDUST (William Morrow, 2013). The book is a love story about a family torn apart by a medical crisis and the ethical dilemma of keeping a pregnant woman with no chance of recovery on life support for months in an attempt to give her unborn baby a chance.</p>
<p>Priscille grew up loving the rocky coast of Maine, her family, and babies. Now a neonatal intensive care nurse, she has the privilege of caring for infants so small that they fit in her hand. She lives with her husband, three tall teenaged sons, and their Wheaton terrier. Her website is <a href="http://www.priscillesibley.com" target="_blank">www.priscillesibley.com</a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Carrie Pestritto</title>
		<link>http://www.backspacewritersconference.com/2012/02/carrie-pestritto/</link>
		<comments>http://www.backspacewritersconference.com/2012/02/carrie-pestritto/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 03:54:44 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=449</guid>
		<description><![CDATA[Carrie Pestritto joined the Prospect Agency in 2011 after working as an assistant at Writers House. With a B.A. in English from Amherst College, she has experienced all sides of the publishing industry, having worked as a ghostwriter, freelance writer, and in the editorial acquisitions department of the Greenwood Publishing Group. As an agent, she loves the thrill of finding new authors with strong, unique voices and working closely with her clients to develop their ideas and manuscripts. For Carrie, extraordinary fiction and non-fiction share the abilty to transport readers to new and exciting places. As a history and mythology buff, she is intrigued by books that introduce her to another culture or time period. She is looking for description and detail that will make her feel like she is inside the story and interest her in a subject she never thought she would want to read about or, conversely, introduce her to]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/carrie-pestritto.jpg"><img class="alignright size-full wp-image-450" title="carrie pestritto" src="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/carrie-pestritto.jpg" alt="" width="112" height="140" /></a>Carrie Pestritto joined the <a href="http://www.prospectagency.com" target="_blank">Prospect Agency</a> in 2011 after working as an assistant at Writers House. With a B.A. in English from <a href="https://www.amherst.edu/" target="_blank">Amherst College</a>, she has experienced all sides of the publishing industry, having worked as a ghostwriter, freelance writer, and in the editorial acquisitions department of the <a href="http://www.abc-clio.com/" target="_blank">Greenwood Publishing Group</a>. As an agent, she loves the thrill of finding new authors with strong, unique voices and working closely with her clients to develop their ideas and manuscripts.</p>
<p>For Carrie, extraordinary fiction and non-fiction share the abilty to transport readers to new and exciting places. As a history and mythology buff, she is intrigued by books that introduce her to another culture or time period. She is looking for description and detail that will make her feel like she is inside the story and interest her in a subject she never thought she would want to read about or, conversely, introduce her to startling facts about something or someone she believed she already knew everything about.</p>
<p>Some of Carrie&#8217;s favorite books include:</p>
<ul>
<li><em>Kim</em> by Rudyard Kipling</li>
<li><em>Into the Wild</em> by Jon Krakauer</li>
<li><em>Force of Nature: The Unlikely Story of Wal-Mart’s Green Revolution</em> by Ed Humes</li>
<li><em>The History of the Ancient World: From the Earliest Accounts to the Fall of Rome</em> by Susan Wise Bauer</li>
<li><em>Cleopatra</em> by Stacy Schiff</li>
<li><em>Howl&#8217;s Moving Castle</em> by Diana Wynne Jones</li>
<li><em>First Comes Marriage: Modern Relationship Advice from the Wisdom of Arranged Marriages</em> by Reva Smith</li>
</ul>
<p>Carrie is currently seeking non-fiction, narrative non-fiction, general non-fiction, and some biography and memoir. She is looking for authors that have a strong platform, such as a popular blog, published articles, or related professional experience. Topics such as New England architecture, modern Native American culture, the history of colonialism in literature, or different Cinderella variants throughout different time periods and countries would excite her. She also seeks mainstream prescriptive non-fiction, for example she would love to see a book about the benefits of locavore eating, or a completely cutting edge relationship book.</p>
<p>In the fiction arena, she is looking for literary fiction, historical fiction, and mature YA. She would love to see a thriller/mystery about Elizabeth Bathory, otherwise known as &#8220;Lady Dracula,&#8221; or a novel about a young teacher at a private high school who finds herself attracted to one of her students.</p>
<p>She is not currently interested in romance, science fiction/fantasy, or picture books</p>
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			<wfw:commentRss>http://www.backspacewritersconference.com/2012/02/carrie-pestritto/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Backspace Conference in The Writer Magazine</title>
		<link>http://www.backspacewritersconference.com/2012/02/backspace-conference-in-the-writer-magazine/</link>
		<comments>http://www.backspacewritersconference.com/2012/02/backspace-conference-in-the-writer-magazine/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 19:53:32 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=447</guid>
		<description><![CDATA[From the March 2012 issue:]]></description>
			<content:encoded><![CDATA[<p>From the March 2012 issue:</p>
<p><a href="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/Writer-Mag-650x822.jpg"><img class="alignleft size-full wp-image-446" title="Writer Mag-650x822" src="http://www.backspacewritersconference.com/wp-content/uploads/2012/02/Writer-Mag-650x822.jpg" alt="" width="625" height="822" /></a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Christina Rodriguez</title>
		<link>http://www.backspacewritersconference.com/2012/02/christina-rodriguez/</link>
		<comments>http://www.backspacewritersconference.com/2012/02/christina-rodriguez/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 17:14:29 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=442</guid>
		<description><![CDATA[Christina Rodriguez is an assistant editor at Little, Brown and Company, where she has recently acquired a narrative history about WWII, and works with Tracy Behar on a list focusing on health, science, and prescriptive nonfiction titles. Authors with whom she’s worked include Herman Wouk, Andrew Weil, Lyanda Lynn Haupt, Joel Fuhrman, Donna Britt, William Poundstone, and Roy Peter Clark. She began her career in the publishing industry at the Association of American Publishers, where she worked on programs like Get Caught Reading and Latino Books Month. At Little, Brown, she is interested in acquiring a range of serious and narrative nonfiction, with a focus on history, biography, journalism and current events, women’s issues, memoir, popular and natural science, politics, ideas books, music, food, and humor. She loves, in particular, social and cultural histories, amazing tales lost to the annals of time, edgy investigative reporting, and other fun and lively]]></description>
			<content:encoded><![CDATA[<p>Christina Rodriguez is an assistant editor at Little, Brown and Company, where she has recently acquired a narrative history about WWII, and works with Tracy Behar on a list focusing on health, science, and prescriptive nonfiction titles.</p>
<p>Authors with whom she’s worked include Herman Wouk, Andrew Weil, Lyanda Lynn Haupt, Joel Fuhrman, Donna Britt, William Poundstone, and Roy Peter Clark. She began her career in the publishing industry at the Association of American Publishers, where she worked on programs like Get Caught Reading and Latino Books Month.</p>
<p>At Little, Brown, she is interested in acquiring a range of serious and narrative nonfiction, with a focus on history, biography, journalism and current events, women’s issues, memoir, popular and natural science, politics, ideas books, music, food, and humor. She loves, in particular, social and cultural histories, amazing tales lost to the annals of time, edgy investigative reporting, and other fun and lively nonfiction.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.backspacewritersconference.com/2012/02/christina-rodriguez/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Laney Katz Becker</title>
		<link>http://www.backspacewritersconference.com/2012/01/laney-katz-becker/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/laney-katz-becker/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 17:56:14 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=439</guid>
		<description><![CDATA[Laney Katz Becker was an agent at Folio Literary Management before joining Markson Thoma Literary Agency. Prior to becoming an agent, Laney was an advertising copywriter and freelance journalist, as well as an award-winning author of both fiction and non-fiction. Laney gravitates toward &#8220;book club fiction,&#8221; (i.e. novels with substance that you&#8217;re eager to talk about); novels with a great voice; character-driven stories; and smart, psychological thrillers and novels of suspense. She is open to practical non-fiction and memoir, but only if the author has a strong platform. She&#8217;s always on the prowl for narrative nonfiction, (especially from journalists or experts). She does NOT represent romance, cozy mysteries, sci-fi, fantasy, paranormal or dystopian fiction, nor does she handle YA, children&#8217;s, middle grade or poetry. Laney’s authors have made the New York Times, national and International bestsellers&#8217; lists. A graduate of Northwestern University, and a native Ohioan, Laney is married and the mother of]]></description>
			<content:encoded><![CDATA[<p><strong>Laney Katz Becker</strong> was an agent at Folio Literary Management before joining <a href="http://www.marksonthoma.com" target="_blank">Markson Thoma Literary Agency</a>. Prior to becoming an agent, Laney was an advertising copywriter and freelance journalist, as well as an award-winning author of both fiction and non-fiction.</p>
<p>Laney gravitates toward &#8220;book club fiction,&#8221; (i.e. novels with substance that you&#8217;re eager to talk about); novels with a great voice; character-driven stories; and smart, psychological thrillers and novels of suspense. She is open to practical non-fiction and memoir, but only if the author has a strong platform. She&#8217;s always on the prowl for narrative nonfiction, (especially from journalists or experts).</p>
<p>She does NOT represent romance, cozy mysteries, sci-fi, fantasy, paranormal or dystopian fiction, nor does she handle YA, children&#8217;s, middle grade or poetry.</p>
<p>Laney’s authors have made the <em>New York Times</em>, national and International bestsellers&#8217; lists. A graduate of Northwestern University, and a native Ohioan, Laney is married and the mother of two grown children. She enjoys reading, writing, playing tennis, (watching) baseball, sewing and snuggling with her pooch.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Art of the Narrative</title>
		<link>http://www.backspacewritersconference.com/2012/01/the-art-of-the-narrative/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/the-art-of-the-narrative/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 22:54:52 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=437</guid>
		<description><![CDATA[Storytelling is part instinct, but larger part technique. There are effective and proven tactics to making every story more compelling, tighter, memorable, and readable. Likewise, there are common errors and misconceptions. Author and professor David L. Robbins will review some of the most effective ways to give your tale the advantages it deserves, including story structure, point of view, pace, character, even the quality and brevity of the prose.]]></description>
			<content:encoded><![CDATA[<p>Storytelling is part instinct, but larger part technique. There are effective and proven tactics to making every story more compelling, tighter, memorable, and readable. Likewise, there are common errors and misconceptions. Author and professor David L. Robbins will review some of the most effective ways to give your tale the advantages it deserves, including story structure, point of view, pace, character, even the quality and brevity of the prose.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.backspacewritersconference.com/2012/01/the-art-of-the-narrative/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Perils of Fictionalizing Your Family</title>
		<link>http://www.backspacewritersconference.com/2012/01/the-perils-of-fictionalizing-your-family/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/the-perils-of-fictionalizing-your-family/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 22:15:24 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=434</guid>
		<description><![CDATA[What are the consequences we inflict on our families with a no-holds-barred exposure of them through our writing? Where does our truth end and another’s privacy begin? Our panel will discuss these complex and weighty questions of conscience that have plagued writers since the beginning of literature. Based on the first-hand experience of writing, publishing, and going on book tour with stories that delve into family secrets, our panel of authors will lead the audience in a discussion of that inner battle. Questions we’ll address as part of the discussion: 1) What kind of inner resistance have you experienced in trying to write fiction based on true events and real people in your life? 2) How do you show respect for your family while honoring the need to tell your own story in an open and truthful way? 3) What is the worst thing you imagine might happen if you wrote “the truth?” 4) If you]]></description>
			<content:encoded><![CDATA[<p>What are the consequences we inflict on our families with a no-holds-barred exposure of them through our writing? Where does our truth end and another’s privacy begin? Our panel will discuss these complex and weighty questions of conscience that have plagued writers since the beginning of literature. Based on the first-hand experience of writing, publishing, and going on book tour with stories that delve into family secrets, our panel of authors will lead the audience in a discussion of that inner battle.</p>
<p>Questions we’ll address as part of the discussion:</p>
<p>1) What kind of inner resistance have you experienced in trying to write fiction based on true events and real people in your life?</p>
<p>2) How do you show respect for your family while honoring the need to tell your own story in an open and truthful way?</p>
<p>3) What is the worst thing you imagine might happen if you wrote “the truth?”</p>
<p>4) If you choose to censor some of your material for fear of hurting others, how do you make sure you are not censoring so much as to dilute the impact of your art?</p>
<p>5) Though you’ve published your work as “a novel,” the first question in nearly every interview and book club visit is whether the book is based on a true story. How do you answer in a way that doesn’t further intrude on the privacy of your family?</p>
<p>&nbsp;</p>
<p><strong>BIOS</strong></p>
<p><strong>Jessica Anya Blau&#8217;s</strong> newest novel, DRINKING CLOSER TO HOME, has been called &#8220;a raging success&#8221; and &#8220;unrelentingly side-splittingly funny.&#8221;  It was featured in Target stores as a “Breakout Book” and made many Best Books of the Year lists for 2011. Her first novel, THE SUMMER OF NAKED SWIM PARTIES, was picked as a Best Summer Book by the Today Show, the New York Post and New York Magazine.  The San Francisco Chronicle and other newspapers chose it as one of the Best Books of the Year. Jessica’s third novel, THE WONDER BREAD SUMMER, was just purchased by HarperCollins. Jessica wrote the screenplay for FRANNY, a film staring Frances Fisher and Steve Howey.  Franny is now in post-production in Los Angeles. Currently Jessica is a Visiting Assistant Professor at Goucher College.  She also teaches at Johns Hopkins University where she attended The Writing Seminars.<strong> </strong></p>
<p><strong>Susan Henderson</strong> is a two-time Pushcart Prize nominee, the recipient of an Academy of American Poets award, and author of the bestselling novel, <a href="http://www.amazon.com/Up-Blue-Novel-Susan-Henderson/dp/0061984035" target="_blank">UP FROM THE BLUE</a>. Her work has been included in the World Trade Center memorial, THE FUTURE DICTIONARY OF AMERICA (McSweeney’s Books, 2004), THE BEST AMERICAN NON-REQUIRED READING (Houghton Mifflin, 2007), NOT QUITE WHAT I WAS PLANNING (HarperPerennial, 2008), ONLINE WRITING: THE BEST OF THE FIRST TEN YEARS (Snowvigate Press, 2009), and DRINKING DIARIES: WOMEN SERVE THEIR STORIES STRAIGHT UP (Perseus, 2012). She blogs at <a href="http://www.litpark.com/blog" target="_blank">LitPark.com</a>, <a href="http://www.thenervousbreakdown.com/category/litpark/evolution-of-the-book/" target="_blank">The Nervous Breakdown</a>, and Huffington Post. Her husband is a costume designer, filmmaker, and Chair of a university drama department. They live in NY with their two boys.<strong> </strong></p>
<p><strong>Jessica Keener’s</strong> fiction has been listed in <em>The Pushcart Prize </em>under “Outstanding Writers” and published in numerous literary reviews. Writing awards include a grant from the Massachusetts Cultural Council Artist’s Grant Program, a Joan Jakobson Scholarship from Wesleyan Writers Conference; a Chekhov Prize for Excellence in Fiction by the editors of <em>Wilderness House Literary Review</em>; and second prize in <em>Redbook</em> magazine’s fiction contest. For more than a dozen years she’s also been a features writer for <em>The Boston Globe</em>, <em>Design New England</em>, <em>O, the Oprah Magazine</em> and other national magazines. She has taught writing and literature at Brown University, University of Miami, and Boston University. <em>Night Swim</em> is her debut novel.</p>
<p><strong>Leora Skolkin-Smith </strong>was born in Manhattan in 1952, and spent her childhood between Pound Ridge, New York, and Israel, traveling with her family to her mother’s birthplace in Jerusalem every three years. She earned her BA and MFA and was awarded a teaching fellowship for graduate work, all at Sarah Lawrence.</p>
<p>Ms. Skolkin-Smith’s first published novel, EDGES was edited and published by the late Grace Paley for Ms. Paley&#8217;s own imprint at Glad Day books. EDGES was nominated for the 2006 PEN/Faulkner Award by Grace Paley. <strong></strong></p>
<p>THE FRAGILE MISTRESS, a feature film based on EDGES, is currently in pre-production, scheduled to begin shooting on location in Jerusalem, Jordan, and New York, produced by Triboro Pictures, directed by Michael Gunther. <a href="http://www.thefragilemistress.com/" target="_blank">http://www.thefragilemistress.com</a></p>
<p>Excerpts from HYSTERA were first published by Persea Books, and recently appeared in The Hamilton Stone Review. Recent publications include a piece from THE FRAGILE MISTRESS, which appeared in Guernica Magazine in 2010.</p>
<p>Leora was recently a panelist, at The Haitian Cultural International Book Festival, The Miami International Book Fair, The Virginia Festival of the Book, and The National Women’s Association. She is currently a contributing editor to <a href="http://readysteadybook.com/" target="_blank">readysteadybook.com</a>. and her critical essays have been published in <em>The Washington Post</em>, The National Book Critic’s Circle’s Critical Mass, Conversational Reading, the Quarterly Review, and other places.</p>
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		</item>
		<item>
		<title>Jessica Blau</title>
		<link>http://www.backspacewritersconference.com/2012/01/jessica-blau/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/jessica-blau/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 21:54:51 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=432</guid>
		<description><![CDATA[Jessica Anya Blau&#8217;s newest novel, DRINKING CLOSER TO HOME, has been called &#8220;a raging success&#8221; and &#8220;unrelentingly side-splittingly funny.&#8221;  It was featured in Target stores as a “Breakout Book” and made many Best Books of the Year lists for 2011. Her first novel, THE SUMMER OF NAKED SWIM PARTIES, was picked as a Best Summer Book by the Today Show, the New York Post and New York Magazine.  The San Francisco Chronicle and other newspapers chose it as one of the Best Books of the Year. Jessica’s third novel, THE WONDER BREAD SUMMER, was just purchased by HarperCollins. Jessica wrote the screenplay for FRANNY, a film staring Frances Fisher and Steve Howey.  Franny is now in post-production in Los Angeles. Currently Jessica is a Visiting Assistant Professor at Goucher College.  She also teaches at Johns Hopkins University where she attended The Writing Seminars.]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.backspacewritersconference.com/wp-content/uploads/2012/01/jessica-blau.png"><img class="alignright size-full wp-image-433" title="jessica blau" src="http://www.backspacewritersconference.com/wp-content/uploads/2012/01/jessica-blau.png" alt="" width="299" height="201" /></a><a href="http://www.jessicaanyablau.com" target="_blank">Jessica Anya Blau&#8217;s</a></strong> newest novel, DRINKING CLOSER TO HOME, has been called &#8220;a raging success&#8221; and &#8220;unrelentingly side-splittingly funny.&#8221;  It was featured in Target stores as a “Breakout Book” and made many Best Books of the Year lists for 2011.</p>
<p>Her first novel, THE SUMMER OF NAKED SWIM PARTIES, was picked as a Best Summer Book by the Today Show, the New York Post and New York Magazine.  The San Francisco Chronicle and other newspapers chose it as one of the Best Books of the Year.</p>
<p>Jessica’s third novel, THE WONDER BREAD SUMMER, was just purchased by HarperCollins. Jessica wrote the screenplay for FRANNY, a film staring Frances Fisher and Steve Howey.  Franny is now in post-production in Los Angeles. Currently Jessica is a Visiting Assistant Professor at Goucher College.  She also teaches at Johns Hopkins University where she attended The Writing Seminars.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Leora Skolkin-Smith</title>
		<link>http://www.backspacewritersconference.com/2012/01/leora-skolkin-smith/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/leora-skolkin-smith/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 21:52:17 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=430</guid>
		<description><![CDATA[Leora Skolkin-Smith was born in Manhattan in 1952, and spent her childhood between Pound Ridge, New York, and Israel, traveling with her family to her mother’s birthplace in Jerusalem every three years. She earned her BA and MFA and was awarded a teaching fellowship for graduate work, all at Sarah Lawrence. Ms. Skolkin-Smith’s first published novel, EDGES was edited and published by the late Grace Paley for Ms. Paley&#8217;s own imprint at Glad Day books. EDGES was nominated for the 2006 PEN/Faulkner Award by Grace Paley.  THE FRAGILE MISTRESS, a feature film based on EDGES, is currently in pre-production, scheduled to begin shooting on location in Jerusalem, Jordan, and New York, produced by Triboro Pictures, directed by Michael Gunther. Ms Skolkin-Smith recent novel, HYSTERA, was published by The Fiction Studio Books in November, 2011. Excerpts from HYSTERA were first published by Persea Books, and recently appeared in The Hamilton Stone Review. Recent publications]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.backspacewritersconference.com/wp-content/uploads/2012/01/LeoraSkolkin-Smith.png"><img class="alignleft size-full wp-image-431" style="margin-left: 9px; margin-right: 9px;" title="LeoraSkolkin-Smith" src="http://www.backspacewritersconference.com/wp-content/uploads/2012/01/LeoraSkolkin-Smith.png" alt="" width="287" height="325" /></a><a href="http://www.leoraskolkinsmith.com/" target="_blank">Leora Skolkin-Smith</a> </strong>was born in Manhattan in 1952, and spent her childhood between Pound Ridge, New York, and Israel, traveling with her family to her mother’s birthplace in Jerusalem every three years. She earned her BA and MFA and was awarded a teaching fellowship for graduate work, all at Sarah Lawrence.</p>
<p>Ms. Skolkin-Smith’s first published novel, EDGES was edited and published by the late Grace Paley for Ms. Paley&#8217;s own imprint at Glad Day books. EDGES was nominated for the 2006 PEN/Faulkner Award by Grace Paley. <strong></strong></p>
<p><a href="http://www.thefragilemistress.com" target="_blank">THE FRAGILE MISTRESS</a>, a feature film based on EDGES, is currently in pre-production, scheduled to begin shooting on location in Jerusalem, Jordan, and New York, produced by Triboro Pictures, directed by Michael Gunther.</p>
<p>Ms Skolkin-Smith recent novel, HYSTERA, was published by The Fiction Studio Books in November, 2011.</p>
<p>Excerpts from HYSTERA were first published by Persea Books, and recently appeared in The Hamilton Stone Review. Recent publications include a piece from THE FRAGILE MISTRESS, which appeared in Guernica Magazine in 2010.</p>
<p>Leora was recently a panelist, at The Haitian Cultural International Book Festival, The Miami International Book Fair, The Virginia Festival of the Book, and The National Women’s Association. She is currently a contributing editor to <a href="http://readysteadybook.com/" target="_blank">readysteadybook.com</a>. and her critical essays have been published in <em>The Washington Post</em>, The National Book Critic’s Circle’s Critical Mass, Conversational Reading, the Quarterly Review, and other places.</p>
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		<title>Self-publishing vs.traditional publishing: Get the inside scoop from an author who has been on both sides of the fence</title>
		<link>http://www.backspacewritersconference.com/2012/01/alternative-publishing-workshop/</link>
		<comments>http://www.backspacewritersconference.com/2012/01/alternative-publishing-workshop/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 20:37:57 +0000</pubDate>
		<dc:creator>Karen Dionne</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.backspacewritersconference.com/?p=426</guid>
		<description><![CDATA[In this practical workshop, award-winning novelist Maria Murnane, who went from self-published to traditionally published through creativity and sheer perseverance (and whose novel Perfect on Paper recently reached #2 on Amazon), will explain the difference between both routes and provide a clear, step-by-step guide to each. Based on her personal experience, she’ll also share her thoughts on the pros and cons of each path to help you weigh them against your goals as an author. What attendees will learn: The difference between self-publishing and traditional publishing for fiction and non-fiction The benefits and drawbacks of each route What to expect along the way How to avoid mistakes that can cost you time, money and readers Have questions? Bring them!]]></description>
			<content:encoded><![CDATA[<p>In this practical workshop, award-winning novelist Maria Murnane, who went from self-published to traditionally published through creativity and sheer perseverance (and whose novel<em> Perfect on Paper</em> recently reached #2 on Amazon), will explain the difference between both routes and provide a clear, step-by-step guide to each. Based on her personal experience, she’ll also share her thoughts on the pros and cons of each path to help you weigh them against your goals as an author.</p>
<p><strong>What attendees will learn:</strong></p>
<ul>
<li>The difference between self-publishing and traditional publishing for fiction and non-fiction</li>
<li>The benefits and drawbacks of each route</li>
<li>What to expect along the way</li>
<li>How to avoid mistakes that can cost you time, money and readers</li>
</ul>
<p>Have questions? Bring them!</p>
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